With a poignant speech in 1961, President John F. Kennedy made it clear that he wanted to see the United States be the first to land an astronaut on the moon's surface. The U.S. was in the middle of a race for the lunar surface with the U.S.S.R., which had successfully sent the first human to outer space, less than a month before. With the two super powers locked in the Cold War, President Kennedy set a goal to land on the moon by the end of 1969. With heavy costs of money and the loss of eight in the space program during that time, a nervous world witnessed as NASA created the Apollo program, developing a massive rocket ship from technology meant for missiles. The drama of 40 years ago played out on television and radio to worldwide audiences as the crew launched from the Earth, taking 4 days to travel over 219,000 miles to the lunar surface. Starting in late 2008, HD and still cameras were aimed at the moon, capturing it in a variety of ways to help one reach the moon within one's mind. The completed project was posted for the first time online, July 16, 2009 - exactly 40 years to the day that Apollo 11 launched into space to make history.

The dramatic and touching story of thousands of adults, children, and generations of families who have been living and working in the largest and most toxic landfill in Central America, the Guatemala City Garbage Dump, over the last sixty years.

When Arthur Freed brought Alan Jay Lerner to Hollywood to compose a new Fred Astaire musical (based on Fred's life,) little did he know he would have to recast it's leading lady not once, but twice.

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Like all the early Lumiere Brothers shorts, this consists of just one shot, of Auguste Lumiere, his wife and baby daughter having breakfast. in a rural setting. In itself completely banal, the shot derives its power from the fact that shows us living people filmed in a real setting over a hundred years ago. It is also historically important for being part of the original Lumiere Brothers film programme shown on December 28, 1895

The surf pounds against a breakwater on which are visible several people standing. The wall looks to be about 20 feet above sea level and extend at least 100 feet into the water. A large wave rolls picturesquely along the wall toward the shore. Smaller waves follow. Then the scene changes to river water flowing. We see both shores: in the foreground a log and tree branch are visible; on the far shore, there appears to be a low wall with trees beyond it. The camera is stationary in both shots.

Rain falls on a Dutch city.

Chris Landreth introduces himself to us in a funky restroom and then introduces the film's subject, Ryan Larkin, a brilliant animator in the 1960s and early 1970s. Chris shows us clips of "Walking" and "Street Musique," Ryan's ground-breaking shorts. We now see Ryan as he is: emaciated, alcoholic, much of his mind gone; we meet Felicity Fanjoy, his love during his creative period, and Derek Lamb, his producer. Ryan talks to Chris in the dining hall of what is probably a homeless shelter or soup kitchen. Chris tries an intervention. We follow Ryan out into the street where he panhandles. The animation, which uses live footage, reveals the ravaged burned-out graceful man.

Refused are dead. They spent their last year in existence touring godforsaken hellholes scattered around the western world. This is their testament!

The "Ring of Fire" is the collection of all places, in which the Earth's continental plates meet. Volcanic activity is to be found there far more often than elsewhere. The film is a documentary about how those plates move and how volcanoes work.