Ooga Booga follows an innocent African American boy who is brutally murdered by dirty cops, but his soul is magically transferred into an action figure named Ooga Booga. With on his tribal spear and old girlfriend to help he takes to the streets and trailer parks to find the men that ended his once bright future.

In this final episode of the hugely successful 'One Missed Call' franchise, the timid, young Asuka is bullied by her classmates. When they embark on a class field trip to Korea, Asuka plans revenge by sending a disturbing photo with the message: 'If you transmit this cursed photo to someone else, your life will be spared.' The students rush to pass the photo on to save their own lives, sparking a deadly fight for survival using cell phones! The final installment in this massively popular J-horror series lives up to Takashi Miike?s original production. This time around, the action moves to South Korea as a group of students (of course) are about to be terrorized by another series of mysterious cell-phone calls from the future that accurately predict their gruesome demise. But unlike previous installments, students can avoid their untimely dates with death by passing on the message to a friend, creating a scenario akin to Fukasaku?s masterful critique of Japanese youth culture, BATTLE ROYALE. While employing a host of techniques that have made J-horror such a popular genre, ONE MISSED CALL 3 uses the format to tackle issues of school bullying and technological paranoia.

Nami's (Megumi Okina) been seeing things in her dreams and starts to create a videogame based on those things. Together with one of the game producers she travels out to an abandoned house, similar to what she saw in a dream. Once there they start to explore the house and Nami starts to have visions of herself being in that house as a child. And the deeper they go into the house, the more secrets starts to reveal.

In Japan, the daycare teacher Kyoko Okudera is convinced by her colleague and friend Madoka to visit her boyfriend Naoto Sakurai in the restaurant where he works instead of studying as planned. When the owner Mr. Wang answers his daughter's mobile phone, he receives a message telling him that he would die in an accident in the kitchen. This immediately comes true. Later, Naoto is visited by the snoopy journalist Takako Nozoe, who is researching the death call, and she plays the deadly ring tone for him. He recalls that not only Mr. Wang, but also Madoka have received similar calls. Meanwhile Kyoko is talking to Madoka and she sees a ghost in her phone. She rushes to Madoka's apartment and finds her dead in the bathtub, with Naoto and Takako arriving immediately after. Their investigation shows that Mimiko's grandfather Wei Zhang is in Taiwan and Takako asks her former husband Yuting to search him. Meanwhile, Kyoko receives a phone call and the autopsies of Mr. Wang and Madoka indicate the presence of coal dust in their lungs and no candies in their mouths. Takako, Naoto and Kyoko travel to Taiwan expecting to solve the mystery and save Kyoko from her fate.

One night at a party, Yumi's friend gets a weird voice message on her cell phone. The message is dated two days in the future and she can hear her own scream in it. Two days later Yumi's friend dies and Yumi starts to wonder if it had anything to do with the phone call. As fear starts spreading among the students at Yumi's school, Yumi soon realizes that she's also got one missed call.

1950. Orochi, a mysterious young girl, comes into the mansion of the Monzen family seeking shelter from a storm, and goes to work there as a housekeeper. The owner of the house is Aoi Monzen, the greatest star of the silver screen. She has two pretty daughters, Kazusa and Risa. But the Monzen family has a deep, dark secret: the women of the family may be beautiful to all eyes, but once they pass the age of 29 that beauty crumbles, and gradually they become hideous, rot away, and die.

A premonition of a horror film, lurking danger: A house - at night, slightly tilted in the camera's view, eerily lit - surfaces from the pitch black, then sinks back into it again. A young woman begins to move slowly towards the building. She enters it. The film cuts crackle, the sound track grates, suppressed, smothered. Found footage from Hollywood forms the basis for the film. The figure who creeps through the images, who is thrown around by them and who attacks them is Barbara Hershey. Tscherkassky's dramatic frame by frame re-cycling, re-copying and new exposure of the material, folds the images and the rooms into each other. It removes the ground from under the viewer's feet and splits faces, like in a bad dream. From the off, from outer space, foreign bodies penetrate the images and cause the montage to become panic stricken. The outer edges of the film image, the empty perforations and the skeletons of the optical sound track rehearse an invasion. They puncture the anyway indeterminate action of the film. Cinema tearing itself apart, driven by the expectation of a final ecstasy. Glass walls explode, furniture topples over. Tscherkassky puts his heroine under pressure, drives her to extremes. Time and time again she appears to hit out against the cinematic apparatus, until the images begin to stutter, are thrown off track...

Raph and Max only kill bad guys, and only after their boss Sam, a high-powered attorney, has cashed a nice paycheck for getting her sleazy clients off the hook. When Sam sends our heroes on a routine hit, they find themselves caught up in a conspiracy they never imagined. But whatever trouble they've gotten themselves into is nothing compared to the wrath of Raph's wife if he doesn't make it home in time for his son's birthday party. Being a good hit man is tough; being a good dad is killer!

A seventeen year old schizophrenic refuses to take his pills, just as a murderer is on the loose. Venture into Oliver's Mind.

When Dorine Douglas' job as proofreader for Constant Consumer magazine is turned into an at-home position during a downsizing, she doesn't know how to cope. But after accidentally killing one of her co-workers, she discovers that murder can quench the loneliness of her home life, as a macabre office place forms in her basement, populated by dead co-workers.