A pregnant and married young woman in 1947 regrets sending her true love off to war and out of her life in 1942, and tries to change her fate.

Her hobbies are reading and taking a walk in the park. Junko, a 22-year-old office clerk who lives a dull life under her mothers thumb, gets recruited by a scout on the streets of Shibuya.

Julie is pretty, tough, independent and yet floundering in the cold, hard business world of Paris. Her attempts to keep a job fail. There is something reckless about Julie ...

This story focuses primarily on Julie Thompson (Christine Kelly),a young conservative Christian woman, who is truly tested by God, and gives birth to a child conceived in rape. This decision leads her to a journey that forces her to explore and redefine her relationships with God, her family, friends and even her rapist Mike Connor (Arturo Fernandez), as she struggles to forgive the man who violated her by boldly visiting him in prison and forging an unlikely bond.

This explosive new drama is set in Dublin’s gangland and stars Aidan Gillen (The Wire, Queer as Folk) and Robert Sheehan (Red Riding, Cherry Bomb). When a catastrophic event ignites the tensions in a small-time drug gang, family, friends and community must live with the impact. Having skipped town when a gun was found in his house a year ago, Darren Tracey (Robert Sheehan) decides to come back home to Dublin. He’s homesick and a party for his brother on his release from prison is the perfect excuse to return to his old stomping ground for the weekend. But when one of the gang is killed, suspicion runs rife and thoughts turn to revenge. Darren runs into ex-girlfriend Rosie whom he left without saying goodbye to. Darren still loves her but the situation is complicated given that she now lives with another gang member. Over and above finding the killer, there is money to be made and Darren is back working for gangland boss John Boy Power (Aidan Gillen). As Darren grows closer to uncovering the truth, tensions and suspicions rise among the gang. Darren in particular faces difficult decisions about his feelings for Rosie, his future and his loyalties. Can he win this battle without losing the war?

Lost in love, language and Littlerock.

Buenos Aires, March 1982. On the streets of the Argentinean capital, people are challenging the military dictatorship. The walls of the school are thick and redoubtable. A secure promise of the guaranteed preservation of the good old days of school routine from anything that may happen outside its walls in the neighbouring streets, in Buenos Aires itself, in the Argentina of 1982. María Teresa is a classroom assistant at that school, an innocent - or maybe just ignorant - mistress of ceremonies, a bystander. She is twenty years old. She started work when it was still summer and Mr. Biasutto, the chief classroom assistant, made quite clear to her at her first interview the sort of attitude she is expected to adopt with students because it would not be an easy task to arrive at what he called 'the optimum surveillance point': Always on the 'qui vive', never missing a thing, but never giving cause for alarm amongst the students. A surveillance which would pick up on everything but would never be picked up on itself. A fleeting look on the face of the pervert, or the warden, or maybe the master. But if everything is out of order -even for her-, everything is transgression. And when María Teresa, hot on the trail of the merest, possibly imaginary wisp of tobacco smoke, starts hiding in the boys lavatories to catch smokers in flagrante delicto and haul them up before the authorities, slowly morphing the whole procedure into a clandestine habit of dubious piquancy; not exactly breaking the rules but bending them willy nilly, twisting, diverting them come what may but, of course, with utter correctness and obeisance to a surveillance emanating from the inflexible custodianship of a complete and atrocious normality. Surveillance, custodianship that could possibly be enforced beyond the boundaries of this enclosed world, because beyond the sheer masonry encasing this school, where the future ruling classes have studied and are studying, there is another world, there is an entire country that has virtually nothing to do with it.

March 1992, in a small town in the suburbs of Paris. During an alcohol fueled party, teenagers discover a body hidden in the bushes of a forest. A body that seems lifeless. Two weeks earlier. Simon, a 16 year-old teenager, has not shown up for class. Blood stains are found in a class-room. Run-away, kidnap, suicide, murder? A few days later, Laetitia, a student from the same class goes missing without her parents knowing where she has gone. A young girl with no dark background or connection to Simon. The next day, Jean-Baptiste, a third student, also disappears. Rumors start to spread. The psychosis begins...

"Life, Above All" is a emotional and universal drama about a young girl (stunningly performed by first-time-actress Khomotso Manyaka) who fights the fear and shame that have poisoned her community. The film captures the enduring strength of loyalty and a courage powered by the heart. Directed by South African filmmaker Oliver Schmitz ("Mapantsula", "Paris, je t'aime"), it is based on the international award winning novel "Chanda's Secrets" by Allan Stratton.

A wealthy man Sir Cilford(Remmy Ohajianya)with his conscience bothering him about his abandonment of his children seeks for atonement but unknown to him his maid Betsy(Halima Abubakar)has developed a plan to take advantage of his situation