Angie, a young Brazilian artist, abandons her old life and embarks on a journey around the country. Running from her past, and searching for her foundation in life, Angie finds not only herself but love in its many forms.

The two brothers Treat and Philip live alone since they were kids. Interdependent they dwell in a left house and live of little thefts, until an aging minor criminal moves in with them and takes over the role of a father.

A middle-aged woman, Maryam, is concerned with the management of the family...

Otome-san vs. Kowai! Otome-san is a term for mother-in-law, while Kowai, which means scary in Japanese, stands for the daughter-in-law. Mizusawa Asako has been living under the constant nagging and criticism from her mother-in-law, up till the old woman's death two years ago. Just when she can start to relax and enjoy being the mistress of the house, her only son informs her that he is marrying a girl named Ririka. Both Asako and her husband, Hiroyuki, are against the marriage, but to no avail. Thinking of scaring Ririka, Asako tells her that they will accept her as their daughter-in-law, on the condition that the newlyweds move in with them. Ririka smilingly agrees to it, and thus they are married. Asako is determined to be a good mother-in-law, but feels apprehensive about it all. On the first night the newlyweds return from their honeymoon, Asako finds herself alone with Ririka, with both her son and husband staying out late. They started drinking together, and soon Asako and Ririka are hitting it off! The next day, waking up with a hangover, Asako finds that the breakfast has been made, and the cleaning all done. Ririka seems like the perfect daughter-in-law. Or is she? Strange disappearances start happening in their neighborhood, and Asako starts to distrust Ririka more and more.

This biographical film, based on the life of French artist Paul Gauguin (Donald Sutherland), follows the painter as he returns to Paris after a long stay in Tahiti and must confront his wife, his children, and his former lover.

Kay Woodbury is a powerful and tough judge who has not spoken to her father since he tried to involve her in a scam. At her latest case, she deals with Sally Powell, a troubled and rebellious teenager who has been in several foster homes in her life.

Singer Hyeon Seok develops problems with his hearing (Menieres syndrome) and has to stop his recordings. He notices a picture of Hokkaido in a magazine and decides to travel there. He eventually arrives in a a small village in Hokkaido for rest. While there, he reminisces about the old days. The owner of the inn offers him a Japanese meal. There he meets a bright cheerful girl named Megumi.

Sora (Younha), a Korean high schooler, chases after a boy she likes who has moved to Japan for college. Unfortunately, after she gets there, she discovers that he has returned to Korea due to family circumstances. She remains in Japan, but things eventually end in heartbreak for Sora. Shortly after, she runs into an odd man called Matsumoto (Ichikawa), who works multiple jobs to pay off his debts but also spends his time gathering discarded glass bottles. With her video camera, she begins documenting Matsumoto and his bottles, and in the process, she regains her lost smile.

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OKI’S MOVIE is comprised of 4 short films: A DAY FOR INCANTATION, KING OF KISSES, AFTER THE SNOWSTORM and OKI’S MOVIE. Three main characters appear in all of the four shorts, having different but overlapping roles in each of them. The last one, OKI’S MOVIE is a story of a film student Oki who made a film about two men she has dated; one young and the other much older. In her film, she makes a cinematographic construction of her experiences of coming to Acha Mountain with each man with a year apart. She juxtaposes her experiences with each man by paring them according to places on the mountain: the parking lot, the entrance, a small pavilion, the public toilet, the wooden bridge, and halfway up the mountain. We see the differences and similarities of the two experiences in details. And by this composition, we may feel that we are seeing an overall picture of Oki’s relationships with the two men.