An amateur pornographer, a relentless mob hit-woman, and her effeminate hair-dresser son find their lives on a violent collision course is New Zealand director Patrick Gillies' tasteless and irreverent crime comedy.

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After an initial run into a few fans, on the way, he falls asleep in his car, following which, he wakes up walking on a railway track. Experiencing a series of bizarre events with the locals, he soon realizes that he is in the year 1984. Upon realizing which, he goes to his house but as he's not sure how to face his family & their reaction to him "coming from the future," he runs away even after ringing the door bell. Contemplating what to do now, he meets Shinni (Hassei Takano) in an alley, posting an advertisement about wanting to make a band. He convinces Shinni about his obvious good looks & being born to be a rock star. He also tells him that he could play the guitar & sing in the band. Convinced, Shinni asks for them to go to a recording studio. However, Miyavi advises against it. They leave for Shinni's home, whereupon witnessing Miyavi's remarkable guitar skills, Shinni accepts his proposal & agrees on letting him stay at his house. Eventually, Miyavi meets a young boy (Matsushima Ryouta), who turns out to be his younger self.

Singer Hyeon Seok develops problems with his hearing (Menieres syndrome) and has to stop his recordings. He notices a picture of Hokkaido in a magazine and decides to travel there. He eventually arrives in a a small village in Hokkaido for rest. While there, he reminisces about the old days. The owner of the inn offers him a Japanese meal. There he meets a bright cheerful girl named Megumi.

Sora (Younha), a Korean high schooler, chases after a boy she likes who has moved to Japan for college. Unfortunately, after she gets there, she discovers that he has returned to Korea due to family circumstances. She remains in Japan, but things eventually end in heartbreak for Sora. Shortly after, she runs into an odd man called Matsumoto (Ichikawa), who works multiple jobs to pay off his debts but also spends his time gathering discarded glass bottles. With her video camera, she begins documenting Matsumoto and his bottles, and in the process, she regains her lost smile.

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OKI’S MOVIE is comprised of 4 short films: A DAY FOR INCANTATION, KING OF KISSES, AFTER THE SNOWSTORM and OKI’S MOVIE. Three main characters appear in all of the four shorts, having different but overlapping roles in each of them. The last one, OKI’S MOVIE is a story of a film student Oki who made a film about two men she has dated; one young and the other much older. In her film, she makes a cinematographic construction of her experiences of coming to Acha Mountain with each man with a year apart. She juxtaposes her experiences with each man by paring them according to places on the mountain: the parking lot, the entrance, a small pavilion, the public toilet, the wooden bridge, and halfway up the mountain. We see the differences and similarities of the two experiences in details. And by this composition, we may feel that we are seeing an overall picture of Oki’s relationships with the two men.

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Nearby police stations located in the Seoul districts of Mapo and Seodaemun are usually compared to each other and, consequently, has developed a rivalry. The chief at the Mapo police station is Hwang Jae-Sung (Park Joong-Hoon), who is fearless when it comes to catching criminals & uses any means necessary. To top the Mapo station, the Seodaemun police station appoints its new leader Jung Wei-Chan (Lee Sun-Gyun). Jung Wei-Chan graduated from the prestigious police academy. An award for "officer of the year" is given out to the officer able to apprehend the most criminals. The award also comes with a 30 million Won cash prize. Hwang Jae-Sung wants to receive the award as he wants a promotion and did not graduate from the police university. Jung Wei-Chan also badly wants to win the award for the prize money involved - his girlfriend is pregnant. For this award the two rivals compete even more fiercely. A serial rapist case then occurs causing both stations to work together. The outcome hangs in the air ...

Actor Philippe Martin and his married date Yvonne plan to neck in a darkened cinema, but he gets the wrong seat and mistakenly kisses lovely Monique, a publisher's daughter. An absurd scandal results; to protect Yvonne, Philippe insists that he was simply overcome by Monique's beauty. This naturally intrigues Monique...but her nominal fiancée feels differently. French bureaucracy is broadly satirized.