It is generally acknowledged that our society is shaped like a pyramid. A few at the top create the environment for the rest at the bottom. Who are those people?

In a city - with heavy metal music haunting the heroes and the voice of Maria Callas being heard, an aged man, ex-terrorist, who dresses like a woman, the "red Maria", lives without any law and is hiding in the social shadows as a prostitute and performer, dancing in the streets, old and out-dated dances, for the passersby who give him money. In the street he meets a young boy, who lives there as a street urchin, at deaths door after a neo-fascists attack. The boy, alcohol addicted, hears the voice of Maria Callas, speaks with the dead diva, with the mother he misses. In overdose he dreams of the perfect world. "Red Maria" saves the boy and teaches him the "job". In order to survive they invade cafes, giving performances that talk for a new, political God, for the political mistake of God, for the end of the ideology. Their world is magical, poetical. And wild. "Red Maria" teaches the boy how to survive. Together they become the magician of the tribe, the holy fool, the rebel. They live a magical personal revolution. But a number of murders will change "Red Maria" and the boy from ideologists, into serial killers.

In The Devil's Courthouse. Pray... you're not judged. Siblings, Leah and Steve, are forced to confront their strained relationship with each other as they and a small group of friends and strangers struggle to survive against a ravenous creature from Cherokee myth in the Appalachian Mountains.

Inventions That Shook The World is a stylized and thrilling look at the inventions of the 20th century that have shaped how we travel, communicate, live, work and play. This series shines a big glaring spotlight on the gizmos and on the geniuses behind the gizmos who, from the seclusion of their workshops, have been the secret engineers of our modern society.

In the autobiographical I AM NANCY, the focus is squarely on Heather Langenkamp and her unique experience playing Wes Craven's legendary teen heroine Nancy Thompson. With tongue planted firmly in cheek, Heather asks the burning question: "Why Freddymania, and not Nancymania?" After personally experiencing the Freddy Krueger marketing craze, the rise of horror convention fandom and the phenomenon of eight Nightmare On Elm Street films, Heather reflects on the relevance of heroes in this modern age of monster lovers. Prepare to put yourself in Nancy's shoes and think about Elm Street in a whole new way.

This is the tale of a small band of contumacious boys and girls that live in a hidden village on a faraway beach; they are the Ivory Rebellion, a feral group of children that are fighting from oppression against the evil Queen Johanna and her ruthless Onyx Empire. Like Peter Pan & The Lost Boys, the rebels have shunned society and live completely free of parents and authority figures. They're existence, albeit a simple one, is entirely devoid of technology, minus simple firearms and an ancient tube radio. Surrounding their beach is a border, the land across from which is forbidden and belongs to the Onyx Empire. For the longest time a treaty was set forth, stating that no one from either side shall cross said border, but in a last ditch effort to induct the boys and girls of the Ivory Rebellion, Queen Johanna has halted all supply shipments into their village. The rebels are running low on food, and with the threat of starvation, are forced to make a decision that could cost them everything.

From rendering to reality, the famed design team at iconic design shop, West Coast Customs (WCC), has become renowned for their one-of-kind, show-stopping creations. The crew is back at it again, applying imagination to four wheels and transforming regular vehicles into drivable works of art on INSIDE WEST COAST CUSTOMS! With visionary CEO Ryan Freidlinghuas at the helm, WCC has become a pop culture phenomenon servicing celebrity clientele such as Mark Wahlberg, Justin Beiber, and Will.i.am. This season, Ryan and the team prove they can take on any challenge when they create life-sized Mario Karts, design a signature Cadillac for Sean Kingston, and craft a Camaro for a cause with the American Cancer Society.

It's not that T.J. doesn't love his parents, it's just that he's trying to kill them. Thirty-two, unemployed, and derailed somewhere on the path to adulthood, T.J. has boomeranged back home. There, his ennui takes the form of increasingly real fantasies about offing his parents and becoming man of the house. When his high school sweetheart gets engaged, T.J. is forced to deal with his real life, parents and all.

I Was worth 50 Sheep is the story of a brave girl, Sabere, and her struggle for life. Through the prism of her family this heart-rending and thought-provoking film brings the tragedy that is Afghanistan vividly to life. Sabere, has a price on her head. When she was just ten years old she was sold to a man forty years her senior. After seven years of confinement and abuse she escaped to find temporary refuge in a women's sanctuary. Now she again has a price on her head as her husband will kill her on sight. The camera picks up Sabere at the point where she has re-made contact with her family. She faces the decision of whether to stay in the safety of the sanctuary or whether to rejoin her family. For the family it is a dangerous game of cat and mouse as they move from location to location, always trying to stay one step ahead of her murderous husband. Only divorce can set Sabere free. But Islamic law will only grant a divorce if she can bring her husband to court. But there is a problem. Her husband is a Taliban man far beyond the reach of the law. With desperation mounting, Sabere's step-father proposes an audacious plan. They try to mount a "sting" that would simultaneously capture her husband and free Sabere from his clutches. But for it to work, Sabere will have to meet her husband. And all the while the family dreads receiving the telephone call that will seal the fate of Sabere's ten-year-old sister. I Was worth 50 Sheep is a simple and moving story of one family's struggle to survive. I Was worth 50 Sheep was filmed over a period of two years in Mazar-e-Sharif, Afghanistan, by award-winning director Nima Sarvestani.

Ian struggles with the complications of love after realizing his ex-girlfriend is moving across country with his former best friend.