Kay Woodbury is a powerful and tough judge who has not spoken to her father since he tried to involve her in a scam. At her latest case, she deals with Sally Powell, a troubled and rebellious teenager who has been in several foster homes in her life.

Philip Ashforth Coppola has devoted all his free time in the last thirty years to cataloging and archiving every station in the New York City subway system. Using his own resources, this humble New Jersey printing press operator has self-financed a multi-volume "study" of his true passion: the rich, even rapturous design-work found within New York's underworld, conceived and constructed at a more adventurous time in our city's public-building history, and today forming the basis of unlikely - and often unnoticed - cathedrals of mosaic, faïence, terra cotta, tile, and steel. The film is a profile on Philip and his extreme obsession of the design and decoration of New York's 496 subway stations. Filmed over a course of four years, ONE TRACK MIND is a portrait of a man consumed by a singular passion --- a passion that few others share. The documentary, shot almost entirely in the subway system in post-9/11 New York, is also a loving portrait of a city's artistic idiosyncrasies.

A boy, Dylan (Michael Angarano), in grade ten with terminal cancer gets a last wish from the Wish Givers Foundation. His makes a new wish which seems a little inappropriate. As his last wish he wants to be with a super model (Sunny Mabrey) for a week alone. At first Nikki (Mabrey) has pity for him but soon it turns into love.

In a divided post 9-11 world, first-time filmmaker Ward Powers asks life's ultimate questions of world renowned spiritual leaders and ordinary people. ONE: The Movie weaves the diverse answers, exploring topics of war and peace, fear and love, suffering, god, life after death, and the ultimate meaning of life. The answers reflect global diversity, while emphasizing the oneness of humanity.

Welcome to the world of industrial food production and high-tech farming! To the rhythm of conveyor belts and immense machines, the film looks without commenting into the places where food is produced in Europe: monumental spaces, surreal landscapes and bizarre sounds - a cool, industrial environment which leaves little space for individualism. People, animals, crops and machines play a supporting role in the logistic of this system which provides our society's standard of living. OUR DAILY BREAD is a wide-screen tableau of a feast which isn't always easy to digest - and in which we all take part. A pure, meticulous and high-end film experience that enables the audience to form their own ideas.

A man finds success selling Marijuana from the back of an Ice Cream Truck.

Pedro and Rui kiss after a first-anniversary dinner; Pedro drives home, dying en route in a crash. Another pair of lovers, Odete and Alberto, split over her desire to have a child. Pedro lived in Odete's building. She attends the wake, stealing a ring, a last gift from Rui, from Pedro's finger. She behaves hysterically at the graveside, and later, wearing Pedro's ring, she insists she's carrying Pedro's child. Rui grieves as well, drinking too much and seeing Pedro's apparition. Odete's obsession intrudes on Rui, whose grief makes him vulnerable to her hysteria. Can this end well?

A dramatized take on war in Iraq.

Up close and personal with innovative cooks, ... woman sent to Africa 50 years ago to animal conservationist to environmental activist

In January, 2004, in Al-Falluja, Iraq, a documentary film crew follows an infantry squad of the 82nd Airborne, US Army. Cameras accompany the squad of seven on day and night patrols, as they watch their backs, kick down doors, search for weapons, interrogate women, detain a few people, and listen to the complaints of locals. At their barracks, a former Baathist retreat called Dreamland, the men talk: about why they enlisted, civilian prospects, feelings about the war and Iraqis, where they were when a comrade died a few weeks before. We see them wait for translators and try a few words of Arabic; we hear their frustrations. We watch them pressured to reenlist. Tensions mount in Falluja.