Graphic, low-budget gore-shocker about Rob and Betty, a couple of ordinary necrophiles who apparently don't mind if their dead sexual partners are not so fresh. Rob's job affords him the opportunity to bring home corpses and the odd body part; when he loses his job, he loses Betty, and Rob's life gets REALLY bizarre.

Sarny, a 12-year-old slave girl in the ante-bellum South, faces a relatively hopeless life. Her chief duties at the plantation of Clel Waller are serving at table, spitting tobacco juice on roses to prevent bugs, and secretly conveying intimate messages between Waller's wife, Callie, and Dr. Chamberlaine. Then Nightjohn arrives. A former runaway slave who bears telltale scars on his back, he takes Sarny under his wing and, in exchange for a pinch of tobacco, secretly begins to teach her to read and write, a crime punishable by death. "Words," he says, "are freedom. Slavery is made of words: laws, deeds and passes." He starts by drawing letters in the dirt and cautions her that no one must know. At her baptism, Sarny steals a Bible that belongs to Waller's son, Jeffrey, and practices reading by lantern-light in the slave quarters. The same Bible serves another purpose when, on a blank page taken from it, Nightjohn forges a pass for Outlaw, a young slave, to use in escaping to freedom in the North with his beloved Egypt, a slave on another plantation. Waller finds the Bible and demands to know who stole it. Delie, who cared for Sarny as a child, fears for her now and accepts the blame. But Nightjohn forestalls the lashing Delie is to receive, saying he's the one, for he can read. He tries to run away but is caught, and his hand is tied to a chopping block. With an ax, Waller delivers the severing blow, exacting the brutal penalty for Nightjohn's literacy. As he is dragged off to be sold, he tells Sarny, "When they cut off one hand, the other hand grows stronger." That night Sarny writes a pass for Egypt that will let her join Outlaw on the flight to freedom. Two days later their escape is discovered and the false passes found. Waller knows Nightjohn wrote Outlaw's pass. But who wrote the second? He interrupts a church service to demand the answer, threatening to kill all his slaves if no one tells. Sarny confesses, but declares he'll kill no one, for the slaves represent his wealth. As Waller raises his rifle, Sarny implores Callie to speak up for her, hinting that she has read the messages to Dr. Chamberlaine. Callie refuses, but the doctor, fearful Sarny will reveal the relationship, says he's at fault. He tells of teaching Egypt some reading and writing, but now declares it was a mistake. Callie orders that Sarny be sold, and as the girl is joined to a line of other slaves, she asks if any of them have tobacco to trade. What has she to give in return? they want to know. And Sarny draws an A in the dirt.

Six years ago Joey's life changed totally. A shop owner who lay in a pool of blood claimed that Joey was the perpetrator. Now the time is served and Joey has scars on both his body and his soul. He is determined to never go back to prison. He seeks his elder brother Tommy who has begun dealing drugs and is now married to a beautiful blonde named Lorraine. She is at first sceptical about Joey staying there, but soon they develop a special relationship.

Documentary about the geological and natural history of the Himalayas, the highest and youngest mountain range in the world. The landscape is home to a remarkable diversity of wildlife, including red pandas, snow leopards and iridescent pheasants.

Follow-up to Ed Wood's "Plan 9 from Outer Space" about the walking dead, It opens in a cemetery. Criswell, the "real" medium, rises from his coffin to tell us of "monsters to be despised." Dr. Acula (Kenne Duncan) is a phony medium aided by Valda Hansen, a bogus ghost, and big Tor Johnson, wearing rags and horrible scar makeup as Lobo. The doctor swindles people by pretending to contact dead relatives, but then accidentally succeeds in reviving a bunch of corpses that bury him alive! Sat unreleased for 23 years because Wood couldn't pay the lab bill! Followed by "Sinister Urge" in 1961 (Wood's last film).

Un ex-poliziotto quarantenne va a Teheran per incontrare il regista Makmalbaf e recitare nel suo ultimo film. Venti anni prima il regista aveva ferito il poliziotto con una coltellata, nel tentativo di disarmarlo per prendergli la pistola. Il cineasta, che lottava contro il regime dello Shah, fu arrestato e trascorse alcuni anni in prigione. Così, oggi, egli propone all'uomo di ricostruire cinematograficamente l'episodio: ognuno di loro sceglierà un ragazzo per interpretare i loro ruoli. I ragazzi scelti prendono le cose molto sul serio e, alla fine, non combatteranno, bensì, si offriranno l'un l'altro...del pane e dei fiori!

Nash is a smart-alecky police inspector (Don Johnson) who's seen fighting crime on the streets of San Francisco, while driving around in his screaming yellow 70ish Plymouth Hemi Barracuda. He's the typical super-cop on the beat, who always wins in the end. Unfortunately, his personal relationships leave much to be desired. He has two ex-wives, a 16-year-old daughter needing a lot of supervision, and a father with Alzheimer's disease who keeps getting kicked out of retirement homes and dropping by to visit.

Alex shoots again. She has to kill a man, but shoots the wrong one. A high ransom is set on her, so she is visited by some head hunters. Well, she only could sit and wait and hope for a friend's help.

Using footage left over from Nemesis 2 and a very thin story line sees Alex again fighting the cyborg mercenaries in 1998 East Africa. This time, Alex finds that she has 20 half sisters who are waiting for her to return to 2077. Central Command wants Alex captured alive and scanned to see if her DNA is a strong and more powerful strain than the normal. But Alex may be too tough for Farnsworth to capture.

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