While a hunting guide takes a big-game hunter into the wilderness, his dead son comes back to life to terrorize three female campers.

This delicate love story transcends the spoken word as it depicts the lives of an aspiring young actress and a painter who lost his sense of hearing during childhood. As their relationship develops, the audience learns the true power of sign language and experiences the couple's growth first-hand through the progression of their visual communication.

Robert Urich, the legendary Jim Street in 'S.W.A.T.', is the host of this voyage around the UFO's and its mystery. From New Tomorrowland, in Disneyland, Urich talks about UFO, contacts, evidences of its arrives, abductions, military documents and other things what surround this controversial thematic. From the 30's years until the present, the UFOs always have been there very close to us, everyday, every time. Exists the aliens?, in truth they come to the Earth?, could it be a fiction created by the military? And the last and most important question: if they exists, would they will be our friends...or our enemies?

Rosemary Holmstrom is struggling to bring up her son following the death of her husband. When she is diagnosed with AIDS, at first she refuses to believe it, but soon turns her attentions to the problem of what will happen to her son when she dies.

Alan Partridge presents a country ramble through the East-Anglian countryside.

Robgen industries newest security system is "The J Series Automatic", an android model designed and programmed to protect humans from violent attacks. But one night, an Automatic named J269 discovers a Robgen executive trying to rape a female employee named Nora Rochester. While trying to stop the crime, he inadvertently kills the executive. At this point, J269 then calls Goddard Marx (his creator and a Robgen chairman) to inform him of the incident. Marx tells the android to stay there with Rochester until help arrives, but Marx is intent on sweeping the fiasco under the rug by sending mercenaries to eliminate both J269 and Rochester. Now the two are fugitives on the run from a para-military hit squad.

Using previously unreleased archival material in addition to contemporary interviews, this academy award-winning documentary tells the story of the Frank family and presents the first fully-rounded portrait of their brash and free-spirited daughter Anne, perhaps the world's most famous victim of the Holocaust.

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Danny Bara is one eleven-year-old girl who is nobody's fool. She lives at the track with her uncle Eddie, a horse trainer in the race circuit. Danny knows the horses. Danny knows the scams, and just how and when the races are fixed. Danny knows the odds makers-they depend on her for the inside story. And Danny knows that things are going to go nowhere for Uncle Eddie unless he can make his name with one great horse, a horse "you can ride into the money." Danny has found such a horse. Tom Thumb, a yearling up for sale, has champion potential and she knows it. She isn't fooled by Noel Ferguson, a big-time trainer who is talking Tom Thumb down. And when Moe Tully arrives in town, Danny knows it can only mean one thing-that races are going to be fixed. But there's opportunity in that for her. Placing her bets before school and picking up her winnings after, she is soon able to bankroll Uncle Eddie, along with her friend Gerald, a groom at a competing stable who is ready to stake his savings on Tom Thumb. When Danny's hunch proves correct and Tom Thumb turns out to be a winner, she, Uncle Eddie, and Gerald head off in style for the summer racing season. Other owners seek out the "Bara magic" and for awhile Uncle Eddie can do no wrong. It's no surprise when Noel Ferguson offers Eddie fifty thousand dollars for Tom Thumb and tells him he'll take it if he knows what's good for him. When Eddie refuses, he and Danny, Gerald and even Tom Thumb get a dose of all the dirty dealing the racing circuit can dish out. But Danny, as we've seen, is nobody's fool, and even Uncle Eddie has picked up a thing or two lately. In spite of just about everything that comes their way, they're "in the money" and it's one great season on the racing circuit.

Despite its nearly four-hour running time, this is a uniquely personal look at movies from one of the late 20th century's great directors and film historians. The film consists of head & shoulder shots of Scorsese speaking into the camera for a minute or two, followed by 10-15 minutes of film clips with Scorsese voice-over. Scorsese approaches the films in terms of how they affected him as a director foremost and as a storyteller/film fan second. Segments include "The Director as Smuggler," "The Director as Iconoclast", and so on. The Journey begins with silent masters like D.W. Griffith and ends in 1969 - when Scorsese began to make films; as he says in closing, "I wouldn't feel right commenting on myself or my contemporaries."