Fact-based story about a Boston furrier and his pregnant wife who was shot in their car on October 23, 1989. The wife and child subsequently died. The husband then told that his attacker was a black man. The following investigation incited racial tensions in the city. However, there was question of the husband's innocence in the crime. Real life tv crime show "Rescue 911" was on hand to film the paramedics that answered the call to the couple's vehicle.

A snapshot of the porn industry in the San Fernando Valley focusing on a handful of people: Luke Ford, a reporter who breaks the industry's gentlemen's agreement and writes about actors who have HIV/AIDS; Kimberley Jade, a veteran actress who contracts AIDS; Katie June, who arrives in Los Angeles from the South, going on 20, with dreams of becoming a porn star and with her mother's approval; Jim South, who runs a talent agency; and, William Margold, an aging factotum. Others appear on camera to round out a portrait of a busy industry that's lucrative for some and dangerous for others.

John Carradine narrates five horror tales, each with a comically predictable surprise ending. In the first, "The Witches Clock" (sic), The Farrells have purchased an old mansion in Salem Massachusetts, and are warned by the town doctor, Finchley, of the history of witches in the community, and the old clock which they brought up from the attic. Then an old man named Tristram Halbin comes for a visit. The second story, "King of the Vampires" deals with a slight-figured killer, called the King of the Vampires by Scotland Yard, which sends Brenner to investigate. The third, "Monster Raid," is about a man turned zombie when he OD's on his experimental drug, who returns to avenge his death at the hands of his widow and her lover-now husband. "Spark of Life" deals with a doctor Mendell obsessed with the experiments of a thrown-out professor named Erich von Frankenstein, and two of his students who try to restore a cadaver to life. "Count Alucard" (called "Alucard" by Carradine and "Dracula: on the end credits, is a variation on the Dracula story, with the Count acquiring the deed to Carfax Abbey from Harker, as vampiresses and dead bodies start turning up. It, too, has a surprise ending unrelated to Stoker.

This final installment of the recent Gamera trilogy begins with schoolgirl Ayana discovering a large egg in a cave that, according to legend, houses demons. The egg hatches into a small monster, which Ayana decides to raise and quickly develops as psychic bond with. As Ayana's monster, named Iris, grows to adulthood, the flying turtle Gamera begins to take an interest in this new potential threat. Who will be the victor in the final battle, and how much of Japan will be left standing at the end?

A strange meteor lands in Japan unleashing hundreds of insect-like "legion" creatures which find their way into Tokyo. When the military fails to control the situation, Gamera shows up to deal with the ever-evolving space adversary.

Two maniacs go on a rape spree, brutally battering their victims with a baseball bat repeatedly before raping them and then battering them again until their vicitm is dead (hence the title of the film)… but this time they picked the wrong girl..she extracts a harrowing and bloody revenge on the people that violated her

The continuation of Glass Mask. Maya attempts to re-enter the entertainment industry after losing all backing. She decides that nothing will stand in her way of becoming The Crimson Goddess, and resolves to regain her status in the industry so she can fight on equal ground with Ayumi. After everyone is blown away by Maya's monodrama, Tsukikage agrees to recognize her as a candidate for the Crimson Goddess only if she receives a Best Actress Award at the Japanese Academy of Acting Award ceremonies, or an award of equal prestige. But Maya has to compete with Ayumi for it! The Purple Rose Man is still watching her from the shadows... will Maya ever find out his true identity? Just who will become the true successor for the role of the Crimson Goddess? -- synopsis by awrittensin

The Glass Mask drama is based on a very popular manga of the same name by Suzue Miuchi, about a young girl named Maya whose dream is to be an actress. A legendary former stage actress, Tsukikage Chigusa, watches Maya as she reenacts drama episodes she's seen on TV. She approaches Maya and has her join her acting company, Tsukikage Theater. Tsukikage holds the production rights to a legendary masterpiece called "The Crimson Goddess," in which she had played the title role until a terrible accident burnt her face beyond surgical repair. She's been searching all of these years for someone to play the role which only the most talented actress could play, and maybe she's found that someone in Maya...

Naomi, a middle-aged woman (Muroi Shigeru), goes to a house to meet her boyfriend with whom she had planned to skip the country, along with 50 billion yen in cash. When she gets to the house, there is no boyfriend, no money and a trail of blood leading to a closet. Opening the closet causes this nude, blood covered body (Kimura Takuya) to come falling out. She gets the young man into a hospital to revive him in hopes he can tell her where the boyfriend and the money went, but the guy from the closet has lost his memory. She gives him a new identity, calling him Yukio, and then employs him as a courier at her company to keep track of him in case he ever recovers his memory. As he works for Naomi, Yukio slowly discovers who he was and what has led him to the man he is now.

The drama series is based on the manga and anime of the same name, both created by Fujisawa Tohru. The story is a sequel of lesser known series Shounan Jun'ai-gumi (Shounan Love Gang) where Onizuka Eikichi's rogue high school days are depicted. Sorimachi Takashi plays Onizuka Eikichi, a graduate of a third-rate University and the leader of a motorcycle gang, whose lifelong dream is to become a teacher. After being hired by a seemingly eccentric director, Onizuka begins his unconventional way of teaching a hopeless group of troublemakers. Although he meets much opposition from the students and teachers themselves, his passion for teaching, and more importantly, his students, eventually convinces everyone that Onizuka truly has the makings of a great teacher.